| Types of beads | | | | observed on these beads give evidence that they |
| Krobo beads | | | | were made in horizontal molds. Meteyi beads are |
| Krobo bead (fused glass fragments) | | | | often ellipsoid in cross section and they have a |
| Krobo powder glass beads are made in vertical | | | | rough surface on the side which touched the |
| molds fashioned out of a special, locally dug clay. | | | | bottom of the mold during firing. They can be |
| Most molds have a number of depressions, | | | | opaque yellow, and more rarely, green, blue or |
| designed to hold one bead each, and each of | | | | white, with stripe decorations in combinations of |
| these depressions, in turn, has a small central | | | | blue, yellow, white or red. Manufacture ceased |
| depression to hold the stem of a cassava leaf. | | | | during the 1940s. |
| The mold is filled with finely ground glass that can | | | | Ateyun beads |
| be built up in layers in order to form sequences | | | | Yoruba, Ateyun beads |
| and patterns of different shapes and colours. The | | | | Another West African people known to produce |
| technique could be described as being somewhat | | | | powder glass beads are the Yoruba from Nigeria. |
| similar to creating a sand "painting" or to filling a | | | | Beads from their production differ technically from |
| bottle with different-coloured sands and is called | | | | typical Ghanaian powder glass beads in that they |
| the "vertical-mold dry powder glass technique". | | | | are not made in molds and in the wet-core |
| When cassava leaf stems are used, these will | | | | technique. Finely crushed glass is moistened with |
| burn away during firing and leave the bead | | | | water and shaped by hand. The perforations are |
| perforation. Certain powder glass bead variants, | | | | made before the beads are fired, using a pointed |
| however, receive their perforations after firing, by | | | | tool. So-called Ateyun beads were made in |
| piercing the still hot and pliable glass with a | | | | different shapes but always in red, to imitate real |
| hand-made, pointed metal tool. Firing takes place in | | | | Mediterranean coral. Genuine coral was rare, but |
| clay kilns until the glass fuses. | | | | very much sought after and highly valued by the |
| There are three distinct styles of modern Krobo | | | | Yoruba people. Yoruba bead makers made their |
| powder glass beads: | | | | own imitations at more affordable prices. |
| Krobo "Writing" beads | | | | Keta awuazi beads |
| Fused glass fragment beads which are being | | | | Yoruba, Keta awuazi beads |
| made by fusing together fairly large bottle glass | | | | Apart from red beads imitating coral, blue beads |
| or glass bead fragments. These beads are | | | | were also highly valued. Keta awuazi beads, |
| translucent or semi-translucent and receive their | | | | originating from Nigeria or possibly Togo, were |
| perforations, as well as their final shapes, after | | | | made in horizontal molds and mold marks are |
| firing. | | | | often evident along their sides. Keta awuazi beads |
| Beads composed of two halves (usually bicones, | | | | are cylindrical in shape. Manufacture ceased during |
| occasionally spheres) that are being created from | | | | the 1940s. Krobo bead makers produced similar |
| pulverized glass. The two halves are being joined | | | | blue powder glass beads, using glass derived from |
| together in a second, short firing process. | | | | cold cream jars to achieve the blue colouration. |
| The "Mue ne Angma" or "Writing Beads", | | | | Kiffa beads |
| conventional powder glass beads made from | | | | Mauritanian Kiffa beads |
| finely ground glass, with glass slurry decorations | | | | Main article: Kiffa beads |
| that are being "written" on and fused in a second | | | | Mauritanian Kiffa beads are also manufactured in |
| firing. | | | | the wet core technique. Glass which is finely |
| Akoso beads | | | | crushed to a powder is mixed with a binder such |
| Akoso beads | | | | as saliva or gum arabic diluted in water. |
| Older Ghanaian dry core powder glass beads, | | | | Decorations are made from the glass slurry i.e. |
| dating from the 1950s, are the Akoso beads, | | | | crushed glass mixed with a binder, and applied |
| which were also manufactured by the Krobo. The | | | | with a pointed tool, usually a steel needle. The |
| most common colour of Akoso beads is yellow. | | | | beads are formed by hand and not placed in |
| There are also green, and rarely blue or black | | | | molds. The firing takes place in small containers, |
| specimens. The glass surface is often worn away | | | | often sardine cans, in open fires. |
| at the ends and around the beads' equator, | | | | References |
| exposing a grey core. The most prevalent | | | | ^ Barbot, J (1746). "A Voyage to New Calabar". |
| decorations, preformed from strips of hot glass, | | | | Collection of Voyages and Travels, Linot and |
| were applied in patterns of cross-crossed loops, | | | | Osborn (6 vols.): 455467. |
| longitudinal stripes and circles. Glass from crushed | | | | Barbot, J (1746). "A Voyage to New Calabar". |
| Venetian beads was used for making the glass | | | | Collection of Voyages and Travels, Linot and |
| powder, and the decorative patterns were made | | | | Osborn (6 vols.): 455467. |
| of glass derived from Venetian beads, or from | | | | External links |
| small whole Venetian beads such as so-called | | | | Krobo beadmaker - Nomoda Ebenizer Djaba is a |
| green heart and white-heart beads. | | | | contemporary beadmaker from the Odumasi |
| Meteyi beads | | | | Krobo area in Ghana. |
| Ashanti, Meteyi beads | | | | African Krobo Beads - Source for history on |
| Meteyi beads were made by the Ashanti people | | | | African beadwork and Krobo beads. |
| of Ghana. Longitudinal seams that can often be | | | | |